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Jasper Johns Crosshatch Lithograph

 
Jasper Johns #6 After Untitled
 


Jasper Johns

#6 (After "Untitled 1975"), 1976
Color Lithograph from 16 Aluminum Plates on Rives BFK paper
30 1/8 x 29 3/4 inches
Edition of 60 with 20 Artist's Proofs
Signed and Dated in Pencil "J Johns 76" lower right Numbered in Pencil lower left.

Literature
Richard Field, The Prints of Jasper Johns 1960-1993: A Catalogue Raisonne, ULAE, New York, 1994, #6 (After "Untitled 1975"), 1976, Catalogue Reference ULAE 179, n.p., another impression reproduced in full-page color.

Riva Castleman, Jasper Johns A Print Retrospective, The Museum of Modern Art, New York, 1986, #6 (After "Untitled 1975") (ULAE 179), 1976, another impression reproduced in full-page color on page 118.

Museum Collections

The National Gallery of Art, Washington D.C.

 

Jasper Johns #6 the Best Print from the Set of 6


#6 (After "Untitled 1975"), in red, yellow, blue, is the final and most complex Crosshatch progression from the Gemini G.E.L. Series of 6 Color Lithographs created by Jasper Johns.

Each Jasper Johns Lithograph in the Series of 6, has staggered progressions of Crosshatches except for #6 (After "Untitled 1975") and include areas of "negative" white space.

Printed on Rives BFK Paper from 16 Aluminum Plates, Jasper Johns #6 (After "Untitled 1975") Lithograph is Hand Signed, Numbered and Dated in Pencil by Jasper Johns.


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