|  Click
Image to Enlarge
#6 (After "Untitled 1975"),
in red, yellow, blue, is the final and most complex Crosshatch
progression from the Gemini G.E.L. Series of 6 Color Lithographs
created by Jasper Johns.
Each
Jasper Johns Lithograph in the Series
of 6, has staggered progressions of Crosshatches
except for #6
(After "Untitled 1975") and include
areas of "negative" white space.
Printed on Rives BFK Paper from 16 Aluminum Plates, Jasper
Johns #6 (After "Untitled 1975")
Lithograph is Hand Signed, Numbered and Dated in Pencil by
Jasper Johns.
For
purchase inquiries of Jasper Johns #6 (After "Untitled
1975"), 1976 please
Contact
Us |
| |
|
| |
Jasper
Johns
#6 (After "Untitled 1975")
(ULAE 179) From the Series of 6, 1976
Color Lithograph from 16 Aluminum Plates on Rives
BFK paper
30 1/8 x 29 3/4 inches
Edition of 60 with 20 Artist's Proofs
Signed and Dated in Pencil "J Johns 76"
lower right
Numbered in Pencil by the Artist from the Edition
of 60 lower left.
Printed By Serge Lozingot, Mark Stock
Publisher Gemini G.E.L., 1976
Literature
Richard Field, The Prints of Jasper Johns 1960-1993:
A Catalogue Raisonne, ULAE, New York, 1994, #6
(After "Untitled 1975"), 1976, Catalogue
Reference ULAE 179, n.p., reproduced in full-page
color (another impression).
Riva Castleman, Jasper Johns A Print Retrospective,
The Museum of Modern Art, New York, 1986, #6 (After
"Untitled 1975") (ULAE 179),
1976, another impression reproduced in full-page color
on page 118.
Museum Collections
The National Gallery of Art, Washington D.C.,
Jasper Johns
#6 (After "Untitled 1975")
(ULAE 179), 1976
|
|
